Production audio mixer and boom operator for film and tv.
Regarding production audio for film and television, as a single operator, I comfortably perform a work load that is usually allocated to 3 people. This makes me indispensable on a sound team because I know that if all the other members drop out, I can pick up all the slack no problem. All facets of production audio are second nature, time code, mounting and concealing lavalier microphones, booming and mixing both as a single operator and a team. Familiar with Pro Tools and dialogue and sound effects editing.Comfortable and professional with interfacing with talent as well as other department heads.Welding and soldering. Can operate and read a multi meter. Recognize\Troubleshoot the audible differences between RF interference, clothing rustle, faulty connections, lights, over modulation, cell phone interference, and faulty mic pre-amps.